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Two Faces of the Modern
29.5.2009 – 20.9.2010
The Association of Finnish Fine Art Foundations (STSY) presents the exhibition Two Faces of the Modern with art from the 1920s and 30s from its member collections. The exhibition, curated by Timo Valjakka, exhibits some eighty paintings and sculptures by artists central to the period. Several exhibits are on public display for the first time.
The period between the world wars is not very well-known as a whole. The art scene in the first two decades of the newly independent Finnish state can be characterized as rich, versatile and internationally oriented with strong contradictions. The young nation looked towards the arts in search of an identity, which in a way received two outward faces due to the wishes and expectations placed on it. Some looked towards Paris or similar metropolises, embracing Cubism and Futurism, while others turned towards Finnish history and subject matter thought to pertain to the Finnish national identity. Some renowned artists such as Wäinö Aaltonen, Ragnar Ekelund and Väinö Kamppuri were able to unite these two opposing strands, creating a fine-tuned and controlled modernism.
The Great Depression of 1929 was a turning point. It had a direct impact on art, also in Finland. Artists faced hard times. Some went door-to-door selling their work, while others found supporters in the larger banks and in the wood processing- and paper industry – the backbone of Finnish exports. Hence, art from the decades between the world wars is thoroughly represented in the STSY member collections.
When the economy improved in the late 1930s, Finland resumed active participation in the World Fairs. Exhibition pavilions designed by Alvar Aalto shaped Finland's outward image towards that of a modern welfare state, an image that is still widespread. The success rubbed off on artists, whose visual expression became freer in the wake of developments in architecture and design. However, the war that started in the autumn of 1939 put an end to this promising development, bringing the young nation right back to square one.
PHOTO:
Marcus Collin
From the Market Square, 1931
oil on canvas
Gösta Serlachius Fine Arts Foundation
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